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How to Make a prettifun Type Beat That Hits Like "omg omg"

[free] prettifun type beat - "omg omg"

Video: [free] prettifun type beat - "omg omg"

ยท based on the channel lazzie

Key takeaways

  • The reference beat "omg omg" by lazzie runs at 142 BPM in B Minor.
  • Prettifun sits in the rage lane alongside slayr and lucy bedroque, built on distorted 808s and wide synths.
  • Free downloads are for non-profit use only; streaming and monetization require a purchased license.
  • Buying the untagged file includes an instant PDF license and a buy-2-get-1-free deal.
  • Start with drums and 808s first, then layer melody so the low end stays clean.

A prettifun type beat is a rage-derived instrumental built for the blown-out, melodic-screaming style of prettifun: fast tempo around 140โ€“150 BPM, minor key, distorted 808s and wide, saturated synth leads. The fastest way to get one is to copy the blueprint of lazzie's free "omg omg" beat โ€” 142 BPM in B Minor โ€” and grab the untagged file via the purchase link for the untagged beat plus instant PDF license, which also runs a buy-2-get-1-free deal.

What defines the prettifun type beat sound

Prettifun's lane is rage with the edges sanded off and the volume pushed up, so a type beat in this style has to feel loud before the vocal even lands. The core is a simple, almost nursery-rhyme melody played on a bright pluck or bell, then buried under distortion and reverb so it reads as texture rather than tune. Underneath, the 808 is the actual song: long, sliding, clipped hard enough to crack. Producers searching for a hard prettifun type beat usually mean exactly this โ€” melody pretty, low end violent.

The scene around prettifun matters for reference. slayr and lucy bedroque occupy the same airspace, which is why so many searches pair them: a prettifun x slayr type beat leans more aggressive and percussive, while a prettifun x lucy bedroque type beat pulls toward hazier, more melodic writing. If you can serve both, your beat works for a wider pool of artists.

Key and tempo are not random. Minor keys dominate because the style lives on tension, not resolution. Tempos in the low 140s let a rapper ride double-time without the beat feeling frantic.

How to build the beat step by step

  1. Set the session to 142 BPM and the project key to B Minor. That is the exact spec of the "omg omg" beat, and it is a safe default for the whole subgenre.
  2. Program the drums first. A rage kit wants a punchy, short kick, a snare or clap with heavy transient, and hats that alternate between straight eighths and triplet rolls. Keep the main pattern sparse โ€” four-on-the-floor is not the goal; space for the vocal is.
  3. Write the 808 line against the kick, not on top of it. Slide between notes, leave gaps, and let the tail distort. In B Minor the natural moves are Bโ€“Dโ€“F# and Bโ€“Gโ€“F#, which give you a dark but hummable contour.
  4. Add the melody. A two- or four-bar loop on a pluck, bell or detuned saw is enough. Write it in the upper midrange, around 500 Hz to 2 kHz, so it does not fight the 808.
  5. Saturate and widen. Light clipping on the melody bus, a short room reverb for glue, and stereo spread on the synth layers. Avoid heavy reverb on the kick and 808 โ€” that is what turns a rage beat to mud.
  6. Arrange in eight-bar blocks: intro, melody in, drums in, drop with full 808, breakdown that strips the drums, then a final drop. Prettifun-style tracks rarely run past three minutes.

Mixing choices that separate a demo from a release

The single biggest difference between a free rage type beat and one that gets placed is low-end control. Put a high-pass filter on every melodic element at roughly 150โ€“200 Hz so the 808 owns everything below. Sidechain the 808 to the kick by a few dB rather than EQ-ing the kick into nothing. On the master, a clipper before the limiter will keep the transient snap that the style depends on.

Loudness targets are worth naming: aim for around -8 to -6 LUFS integrated if you are mixing a full song, and keep true peak under -1 dBTP so streaming platforms do not dull the distortion you worked for. Distortion is the genre's signature, but it should be deliberate โ€” parallel saturation on a send gives you grit while keeping the clean signal intact.

Free download versus licensed use

A free prettifun type beat is almost always free for non-profit use only, and that is exactly how lazzie's "omg omg" is distributed. You can download it, write to it, and upload a demo to YouTube or SoundCloud without paying, but the moment you want the song on Apple Music, Spotify or any monetized platform, you need the license. Purchasing gets you the untagged version โ€” no producer tag interrupting your hook โ€” plus a PDF license file delivered instantly.

Practical checklist before you release anything on a free beat:

  • Confirm whether the beat is tagged in the free download and whether the tag sits in the intro or over the verse.
  • Read the license terms for streaming limits, monetization and whether you can register the song with a distributor.
  • Keep the purchase receipt and PDF license; distributors may ask for proof.
  • Credit the producer in the title or description as the license requires.

Common questions producers ask about this style

Tempo and key confusion comes up constantly. A beat at 142 BPM can also be counted at 71 BPM half-time, which is why some people describe the same instrumental as slow and others as fast โ€” both are correct, and it changes nothing about how you program it. If a reference feels too fast, try writing your drums at half-time while keeping the melody at full speed.

Another recurring issue is melody writing in a minor key. Beginners default to the root too often, which makes the loop sound stiff. Land on the third and fifth, resolve to the root only at the end of the phrase, and the loop will breathe.

Finally, tagging: a producer tag placed over the drop will kill your chances with an artist who wants to test the beat. Put it in the intro or the first two seconds, and always offer an untagged version on purchase.

Final take

A convincing prettifun type beat comes down to a handful of decisions: 142 BPM, a minor key like B Minor, a pretty loop buried in saturation, and an 808 that does the heavy lifting. Get the low end clean and the arrangement short, and the instrumental will sit under a vocal instead of competing with it. The "omg omg" beat by lazzie is a solid reference point because it states its specs openly โ€” tempo, key and licensing terms are all published, which is rarer than it should be. If you want to use it properly, buy the untagged version here before you push anything to streaming. The channel lazzie is worth following for more beats in this lane.

Questions & answers

Can I use a free prettifun type beat on Spotify?

Not without a license. Free downloads in this style are typically non-profit only, so uploading to Spotify, Apple Music or any monetized platform requires purchasing the beat. Buying gets you the untagged file and a PDF license instantly.

What tempo and key should a prettifun type beat be in?

The "omg omg" reference beat runs at 142 BPM in B Minor, which sits comfortably in the rage range of roughly 140โ€“150 BPM. Minor keys dominate the subgenre because they keep tension under a melodic vocal.

What is the difference between a prettifun, slayr and lucy bedroque type beat?

All three live in the rage lane, but the emphasis shifts. A prettifun beat leans on saturated melodic loops, a slayr beat is more percussive and aggressive, and a lucy bedroque beat is hazier and more melodic.

Do I need to credit the producer when I release a song on a purchased beat?

Usually yes, and the exact wording is in the license PDF you receive with the purchase. Check the terms for credit format, streaming limits and monetization before you distribute the track.

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